Black Milk Makes a “Ceremonial” Statement About His Growth (Album Review)
Detroit producer, MC & songwriter Black Milk back for his 9th LP after leaving Mass Appeal Records. Making his presence known as a member of the B.R. Gunna production trio, he eventually went solo 2 decades ago with Sound of the City & followed up on 313 Day 2007 with Popular Demand. The following year, he would dabble with electronic music on Tronic & would later start incorporating live instrumentation on Album of the Year in 2010. His next album No Poison No Paradise eventually became Black Milk’s darkest work yet & it would see a solid sequel If There’s a Hell Below the year after. FEVER became some of his most politically charged material & he’s looking to follow up Everybody Good? with a Ceremonial return.
After the “Fazes” intro, the first song “Feel Sum’n Heal Sum’n” begins by talking about either paying the standard price or double without bargaining over a self-produced instrumental whereas “In the Sky” brings a funkier vibe to describe feeling like the furnace has gone from hot to frozen. “Crash Test Dummy” has this summery boom bap flare so he can talk about slowing down prior to hitting the ground running just before “Dreams Not Only Made at Night” strips things back for a story that ends in people getting arrested.
“Act Like” after the compositional “Lift Off” interlude takes a few minutes to confront a woman who’s switching up on him & after “Never Never” talks about being made for the moment in addition to living a good life being the only thing that he’s ever wanted, “Ceremony” continues the 2nd half of the full-length in the form of this 3 minute instrumental jam session that blending this breezy guitar & drums for the soundtrack to a warm summer day.
Saba appears on the 2nd & final single “Ok…Nah” sending a direct message towards the people who thought they were safe or trying to escape from either artist prior to some rap rock undertones being hooked up so he can talk about waiting for the “Right Time” to come explaining that this shit’s bigger than merely accomplishments from his perspective. “YOUIT (Truth Be Told)” ends the album drumlessly talking about going from sitting on porches to sitting inside of Porsches.
Gearing up to fully produce Fat Ray’s upcoming 6th album Food From the Gods II set to drop somewhere between the next 7 months, Black Milk rocks the mic for the first time in 3 years for a Ceremonial reflection of how far he’s come as an artist since Sound of the City. Not only does his production exemplify this through displaying his creative evolution, but his subject matter’s more introspective than it is political this time around.
Score: 8/10
