Benny the Butcher – “Burden of Proof” (Album Review)
This is the sophomore album from Buffalo emcee Benny the Butcher. Coming up as the leader of the Black Soprano Family collective as well as a signee to Westside Gunn & Conway the Machine’s label Griselda Records, he would make his presence known in the culture with his Butcher on Steroids that dropped on his birthday in 2017 as well as his full-length debut Tana Talk 3 on Black Friday 2018. This was followed up 7 months later by releasing The Plugs I Met but a little over a year later, he’s teaming up with Hit-Boy for Burden of Proof.
The title track that kicks the album off is pretty much Benny talking about expanding himself over a boom bap beat with some horns along with an outro from Pain in da Ass whereas the next song “Where Would I Go?” with Rick Ross sees the 2 talking about being big bosses over a heavenly instrumental. The track “Sly Green” talks about money ain’t changing shit for him over a beat that kinda has a JAY-Z feel to it while the song “1 Way Flight” with Freddie Gibbs finds the 2 talking about bitches over a soulful instrumental. The track “Famous” talks about how he still doesn’t feel like a celebrity over an climatic beat while the song “Timeless” with Big Sean & Lil Wayne sees the 3 talking about their legacies over an energized instrumental.
The track “New Streets” talks about only being concerned of what hustlers think rather than haters over a classy soul sample while the song “Over the Limit” talks about success over a smooth, cavernous instrumental & it’s great to hear The Madd Rapper during the outro. The track “Trade It All” talks about his desire to give up his wealth to see those he’s lost once more over a somber beat while the song “Thank God I Made It” talks about being grateful for where he is today over a lavish instrumental. The penultimate track “War Paint” with Conway the Machine finds the 2 spitting the usual pusher bars over a beat with hypnotic vocal loop hanging in the background & then the album finishes with “Legend”, where Benny proclaims himself as such over a delicate instrumental.
Even though I’d have to go with From King to a God for my Album of the Year pick so far, this is just as great in my personal opinion. The production Hit-Boy brings to the table is somewhat more glamorous & clean in comparison to Tana Talk 3 & The Plugs I Met, but it manages to suit Benny well as we get to hear him at his most mature.
Score: 8/10
