This is the 6th full-length album from Boston emcee Estee Nack. Coming up as a member of the Tragic Allies, he also branched out on his own my junior year of high school of his Purpose-produced solo debut 14 Forms: The Book of Estee Nack & has since built a lengthy yet impressive discography for himself. Other highlights include the Sadhugold-produced Surfinongold.wav alongside it’s sequel The Order of the Golden Fleece, the Giallo Point-produced Papitas, his collab efforts with al.divino & the #MiniMansionDust series. But as Estee makes up for his Griselda Records debut Nacksaw Jim Duggan being delayed, he’s enlisting V Don to fully produce B.R.A.P. (Born Rewards & Penalties).
“Opening Statements” is a grand drumless opener with Estee talking about going from riding a train to a truck & those trying to reach for his charm whereas “Penny Pinchin’” goes right into sinister boom bap attacking the type of motherfucker to play games with you. “Paperchasing” takes a more soulful route with some bass guitar to go after the bread, but then The Hidden Character tags along for the rugged “Gatpackin’” talking about guns of course.
As for “Devils Can’t Fool God”, we have Mr. Rose over a bare string instrumental to address those who still be trying to get on his good side even after the fact that a bunch of weak shit about them was confirmed leading into Primo Profit tagging along for “The Uncanny” accompanied by a blaring yet raw ass beat advising to check your own posture. “Who to Trust” has a bluesy, drumless approach to it with the Nackman talking about being unsure as to who he can genuinely trust leading into “Sang Tsung” is a attaches these synthesizers to some more kicks & snares to talk about those who ain’t got cake to blow waiting ‘til you’re famous.
The song “Vivir triumfar y morir Pt. 2” comes through with a bare orchestral loop to deliver a sequel to a joint off Joan Manuel Serrap expand on the themes of living, succeeding & eventually death while the penultimate track “Rules & Regulations” has one of the stronger feature performances from Rigz from Da Cloth as they hop on a beat with a rich boom bap quality to it talking about how it be where they come from. The closer “Exodus” has another great guest verse from Eto this time with both them sending off the album with a hypnotically psychedelic instrumental addressing being from the streets & trying to make it with their feet pressed against the sand.
Although it’s certainly disappointing that Nacksaw Jim Duggan got pushed back, that’s just how it goes sometimes. As for the album before the album right here, it’s quickly becoming amongst my favorites in Estee’s discography & reassures me that his Griselda debut will be on par if not superior to what B.R.A.P. (Born Rewards & Penalties) brought to the table. He’s always been my favorite Tragic Allies member & I’m truthfully 50/50 on the 4 features, but V Don continues to further reveal himself as an in-demand producer in the underground with his production here being the most consistent we’ve heard the Nackman spit over in a while.