Ka’s 9th Album “The Thief Next to Jesus” is a Religious Experience of It’s Own (Album Review)

Here we have the 9th full-length solo LP from Brownsville, New York emcee, producer & firefighter Ka. A former member of the Natural Elements roughly 3 decades ago, he eventually went solo in 2008 off Iron Works followed by Grief Pedigree & The Night’s Gambit. Honor Killed the Samurai in 2016 became his most well received body of work as did Descendants of Cain & A Martyr’s Reward, but the frontman of Dr. Yen Lo and Hermit & the Recluse is coming off both Languish Arts & Woeful Studies to fully produce The Thief Next to Jesus by himself.

“Bread, Wine, Body, Blood” starts by cautioning not become the weapon they use to harm you & that there’s a sheer struggle we all go through over an organ sample whereas “Beautiful” takes the soulful route instrumentally continuing the art of sampling hoping everyone listening lives a nice, long life. “Tested Testimony” hooks up a crooning drumless loop boasting that he doesn’t have any money in the safe because he took the safest lane just before the bluesy “Borrowed Time” hoping for exactly that when his time comes.

Moving forward, “Collection Plate” keeps the drums out the fold hopping over another soul flip pointing out that he would’ve had the titular item by now if anyone really wanted to bless him while “Broken Rose Window” brings the bluesier flare from earlier back in effect talking about being economically disadvantaged. “God Undefeated” samples gospel once more assuring that God sides with the winners leading into “Soul & Spirit” keeping it drumless suggesting to build fences instead of needing bridges.

“Lord Have Mercy” works in some pleasant keyboard passages to talk about needing real freedoms, but then “Such Devotion” gets back to the gospel sampling telling everyone that they ain’t ever see this much loyalty or devoutness. He later expresses the hope that every “Cross You Bear” is gold accompanied by a bare organ while “Fragile Faith” talking about being born air-prepared for ground war over crooning background vocals.

Nearing the conclusion of The Thief Next to Jesus, the penultimate track “Hymn & I” comes the straight out the gate discussing hearing so many Christians using the “n” word as well as gathering strength on the daily & learning heartbreak from the most loyal prior to “True Holy Water” perfectly finishes up what could very well be the most religious body of work that Ka has ever made with 1 more drumless cut letting everyone know he’s here for all y’all.

Literally every single album in Ka’s discography has their own distinctive concept & after going back-to-back a couple years ago, he unsurprisingly carries on that tradition throughout The Thief Next to Jesus to the point where I firmly believe it can hang with Honor Killed the Samurai as my favorite solo effort of the 9 he’s given us in the last 16 years. Heavily building its drumless sound around samples of both gospel & a hint of blues music, the production makes for some of the best in Ka’s entire career as he puts his uniquely poetic spin on the themes of religion.

Score: 9/10