Mickey Diamond is an up-&-coming MC from Detroit, Michigan who first emerged at the beginning of 2020 off the strength of his debut EP Bangkok Dangerous. He has since gone on to turn quite a few heads in the underground by building up the impressive discography for himself with 5 full-lengths alongside 5 EPs & & a mixtape. He literally just dropped his last album Gucci Ghost produced by Big Ghost Ltd. at the beginning of the month & have now decided to drop a sequel 3 weeks later out of nowhere.
After the “Tax Evasion” intro, the first song “Paolo’s Ghost” kicks off the album with some sample-based boom bap production & Mickey declaring himself to be a troublemaker prior to Hus Kingpin & Mondo Slade both assisting him on “Vanity Fair” taking a more dejecting tone instrumentally as the trio leave the scene bloody lyrically. Especially with the hilarious thumbdrive line during the first verse. The electric guitar throughout “Gucci Godzilla” is absolutely badass confessing that he feels like an iced-out version of the King of Monsters just before “Gold Grill Villains” featuring Eddie Kaine & Mooch has a more rawer approach in sound as the 3 spit some ruthless battle bars.
“Aldo’s Interlude” is a self-described brief intermission with some down-tuned synths & a bass guitar layered on top of some kicks & snares discussing how no one can fuck with him leading into “Nowhere to Run” explains that the hood’s the only life he knows over a desolate boom bap beat. The song “Dapper Dan War Suits” brings back the rap rock vibes with some minimal drums talking about being dressed to kill while the penultimate track “Blood on the Runway” is a symphonic boom bap posse cut showcasing the Umbrella collective with each member standing out in their own way. “Death By Designer” ends things by reminding us that our demises are always 1-step away with a climatic instrumental.
When we initially got Gucci Ghost at the beginning of the month, I had stated that it was Mickey’s most well crafted body of work to date. Fast forward literally weeks later & here we are with a sequel that’s on par with if not superior to that of the predecessor. Dude’s continuing to reveal himself to be amongst my favorite lyricists within the Umbrella by continuing to sharpen up his pen-game & Big Ghost Ltd.‘s production is more versatile than it was on the last album.