Twiztid is a hip hop duo from Detroit, Michigan consisting of Jamie Madrox & Monoxide, both of whom originally started out as part of the House of Krazees alongside childhood friend The R.O.C. in 1992 before their initial disbandment 5 years later. Almost immediately after, the Insane Clown Posse took Jamie & Mono under their wings by signing them to Psychopathic Records as the demented duo they’re known as today. They would become the label’s 2nd biggest act being their mentors off projects like Mostasteless, Freek Show, Mirror Mirror, The Green Book, W.I.C.K.E.D. (Wish I Could Kill Every Day) & Abominationz. Shortly after the latter was released, Twiztid left Psychopathic to form Majik Ninja Entertainment in 2014. Since then they’ve released 5 albums & 4 EPs on their own label, my favorite of which being Revelashen. But for their 15th full-length right here, Jamie & Mono are making a complete stylistic departure from the horrorcore sound they became known for.
“Corkscrew” is an electronic rock opener produced by A Danger Within talking about breaking down & asking for God to forgive them whereas “Twist & Shatter” gets on some emo shit talking about pulling apart again. “Broken Heart” goes into industrial rock territory with the help of drummer Drayven Davidson addressing an ex, but then “Confused” has a bit of an airy backdrop during the verses as the guitars dominate the majority of it. Lyrically, they’re talking about going from being hated to being famous.
Meanwhile on “Neon Vamp”, we have Cradle of Filth frontman Dani Filth joining Twiztid for a blatantly pure industrial hip hop banger encouraging the listener to go crazy leading into the hard rock banger “Comes with an Apology” talking about dealing with life until they’re gone. “Rose Petal” fuses together industrial music & rap metal going at the throats of judgmental people, but then “Dead Instead” has some killer guitar work despite the verses being mixed low & I appreciate the message of metaphorical walls closing in their minds.
“Parasite” has these infectiously catchy riffs as Jamie & Mono say they’ll never conform whereas the ScatteredBrains-produced “Perfect Problem” has to be my favorite on the album, being a straight up rap rock riot starter declaring themselves as such. “If I Get Things Right” asks to stop with the pretending on top of some killer drums & the hook one of the catchiest on the album, but “More Than a Memory” somberly tells the listener to remember their names in the end.
The song “Envy” is basically a mediocre attempt at a radio rock hit even though I can commend the message about how jealously can be the end of someone while the Seven-produced penultimate track “No Change” with Matt Brandyberry sounds like a cheesy entrance theme you’d hear on WWE nowadays. “World of Pretend” ends the album on a victorious note, with Twiztid talking about what it feels like when you’re reeled into such.
These guys have ALWAYS had elements of rock in their music but now that they took on that sound for the length of an entire album, I’m on the fence with it. Half of these joints actually sound really good & the other doesn’t do all that much for me personally. That being said: I am looking forward to the album produced by Zeuss because he did a great job on the mastering, so I have a feeling he’s gonna help refine the style of rock Jamie & Mono wanna go into. I’d love more shit like “Empty”, “Wrong with Me”, “Alone”, “Darkness” & “Familiar” at some point.