D-Dot & Tracey Lee are “Law & Disorder” (Album Review)

Law & Disorder is an east coast superduo consisting of Brooklyn, New York emcee/producer D-Dot alongside Philadelphia, Pennsylvania by way of Buffalo emcee & lawyer Tracey Lee. They’ve already crossed paths a few times already with D-Dot producing some tracks off Tracey’s slept-on solo debut Many Facez under Universal Music Group almost 3 decades ago, so hearing that they were joining forces for a full-length debut of their own at the beginning of the year peaked my curiosity.

After the “Court Day” intro, the opener “Be Warned” begins issuing a cautionary statement over a boom bap instrumental about them still being beasts with the pen whereas “Let’s Get It On” hooks up a quirkier beat to talk about their flows being hard to follow. “Like This” turns up the dustiness boasting the surgical abilities they have with the pen leading into “What’s Missin’?” talking about being the product of 2 turntables & a mic.

“The Bop” after the “Need a Lawyer?” skit nears closers to the halfway point bringing us the rawness some have been looking for just before the funky “Boss” comes through with some lyrical braggadocio. “Oooweee Owwweeee” featuring the late Black Rob finds the trio bringing it hardcore over a jazzy instrumental prior to D-Dot getting a solo joint of his own with “D-Dot Wins” for a couple minutes, turning up the aggressiveness.

Preceding the “Act Now!!!” skit, we have Law & Disorder talking about the “Brotherly Love” they have for each other while “King-Dome” keeps dissecting all opponents who dare to step up against them. “Seen It All” takes a few moments to look back at the pair’s individually historical careers & once “It’s a Flex” talks about being better than everyone else, “You Know Who We Are” ends the album by having both parties dropping battle bars 1 last time.

I initially went into Law & Disorder expecting it to be a Tracey Lee solo album fully produced by D-Dot, but I had no issue with The Mad Rapper himself joining Tracey on nearly every track since he began in the late 80s as 1/2 of 2 Kings in a Cipher. The boom bap production’s a huge upgrade compared to a great deal of the LLeft Entertainment founder’s output since returning to music after getting his bar admission & proves that neither of them are bound by the past.

Score: 8/10