Reviews
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Skribbal – “Skinwalker” (Album Review)
Skribbal is a horrorcore emcee from Selma, Oregon whom I discovered in 2016 when he dropped his incredibly solid debut…
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B-Guy Griffin – “Wonderful” (Album Review)
Hip-Hop from Idaho? Who would have thought? Even better question, who would have even thought there was emerging Hip-Hop coming…
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King Khazm – “Diaries of a Mad” (Album Review)
Several years ago, Seattle was one of the brightest landscapes in Hip-Hop for breakout new talent thanks to newfound hitmakers…
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J.Snow – “Work Ethics, Vol.1 All Work No Play” (Mixtape Review)
Rising Buffalo, NY based underground Hip Hop artist J.Snow releases the first in a series of mixtape volumes titled “Work…
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VOCALIZ – “Afrikan In New York” (Album Review)
Hip-Hop is international, the number-one genre in the world spanning across multi-continents. Birthing the rise of multi-cultural superstars from all…
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G-Mo Skee – “Chaly & the Filth Factory” (Album Review)
This is the sophomore effort from Richmond, California lyricist G-Mo Skee. Emerging as a member of the trio Stampede &…
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38 Spesh & Kool G Rap – “Son of G Rap” (Album Review)
If the recent Stabbed & Shot collab EP with Griselda Records’ very own Benny wasn’t enough for you, Rochester MC/producer 38 Spesh is now teaming up…
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Cool Calm Chrys – “So Far, So Far Out” EP (Review)
Arising from the Los Angeles underground sound, Cool Calm Chrys is ready to transcend the local playing field and graduate…
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Third Eye – “The Beat Tape: Vol. II” (Review)
Australia is rare to provide the world with Hip-Hop talent (i.e. Iggy Azalea) but Hip-Hop is globally driven force that…
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Ayse Chryst – “Salvaysetion” (Album Review)
The thing about Chicago Hip-Hop, it can be gritty, street, raw, and down right criminal intent; however, between all that,…
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